Showing posts with label noah and the whale. Show all posts
Showing posts with label noah and the whale. Show all posts

Wednesday, 28 August 2013

Lowlands 2013 Day 3: Girl Power!



After a sunny day we wake up to grey clouds and rain. But by the time we make it to the festival site the sun is breaking through. Within no time I'm eating an omelet in the sun. Ready to take on this last day.

Lowlands 2013 Day 3, August 18 2013



Jacco Gardner
More and more people are hearing about the boy wonder from the town Hoorn in The Netherlands, who got his inspiration from the psychedelic bands of the sixties. His album Cabinet Of Curiosities is full of beautiful songs in the same style. Live this may seem to lead to a static performance, but fortunately this is not the case. Gardner is chatting to the crowd from time to time in a relaxed way. His presence is kind of innocent and disarmingly. His music is doing the rest and it is creating a magical atmosphere. His band is his reliable support with his friends from Lola Kite and Mr Cool himself, Jos van Tol on drums. Surprisingly the India tent is only half full, but I'm sure next time he will draw bigger crowds.



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Haim
Another hype are the Haim sisters. Just like Jacco Gardner they knew to create something of a buzz, without even releasing an album. Already they are getting bookings for festivals and club performances. According to the MC who's announcing her, they partied hard the day before. The girls do look a bit hung over and their set isn't always really tight. They sound a lot more rough on stage than they do on record. Guitarist Danielle knows how to handle her guitar, but her vocals don't always sound powerful enough. They help out drummer Dash Hutton on percussion a lot as well. Bass player Este Haim sounds pretty groovy despite her funny faces. All put together it is an interesting performance. Although not legendary it does sound promising. I'm looking forward to their album that is coming out in a few weeks. By playing many shows they should be able to grow more tight and sound better. I'm sure they'll be a different band within year.



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Noah and the Whale
We decide to check out Noah and The Whale. The band from London make harmless indie rock songs. The band's performance is like their music: nice, happy and a bit too correct. It does make for an enjoyable performance though. And of course you don't expect to find a "wall of death" at their show. Despite some nice songs you could wish for a bit more bite though.



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Alabama Shakes
Of course Alabama Shakes should already have been programmed last year. This year they are already considered big enough to perform on the big Alpha stage. The band does have Brittany Howard who can fill any stage and I mean that in the most respectful way. Her voice is so strong and her presence is overwhelming. It's a delight to watch her sing. The rest of the band have gotten tighter because of all the shows they played. They sound very laid back and have made peace that they are performing in Howard's shadow. It doesn't take long for the crowd to surrender to the intense soul and blues songs. Although the faster songs are less impressive they are a welcome variation and make for a merry intermezzo.



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Foals
We rush ourselves to the other side of the festival site to catch the second half of the Foals show. I'm really glad to have made that effort. Their last album won many people over including myself. Their show is a lot more rocking than I expected. It sounds bombastic from time to time but always tasteful. The band is focused and knows what a festival crowd wants: dancing. The tent is more empty at the end of the show than at the point we came in, but that's probably because many people were already making their way to the Alpha tent for Franz Ferdinand. Foals deserved a bigger crowd for their hard work and convincing performance.



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Franz Ferdinand
Indeed many people show up for the glorious return of the Scottish band. They have been away for a while but apparently not forgotten. I haven't seen the Alpha more packed this weekend. We cannot even get in for a good spot and decide to party outside. Since it's a huge party the band is throwing. They have so many songs that get a crowd to go wild. People are dancing and jumping everywhere, even on the slopes at both sides of the tent. New song 'Love Illuminiation' fits in seamlessly and already sounds like it's always been in their set. 'Can't Stop Feeling' is probably a homage to the late Donna Summer containing a similar hook. The band even mix Summer's hit 'I Feel Love' into the song. I don't think anyone expected this big welcome back for the band. But they showed to be totally worth the wait. I can't wait for their new album.



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Nick Cave and the Bad Seeds
So after this high, Nick Cave was going to close the festival. How was he going to top the party loaded set of Franz Ferdinand? By doing what he does best: play a dark and intense performance as if the devil himself is on his tail. Cave is all over the place in his usual fashion. Sometimes hanging backwards, his arms raised in front of him, like he's enchanting the crowd. Other times he's hanging over the front row, pouring out his sharp words on the first few rows. Or balancing skilfully on top of the fence, supporting himself by holding the hand of one of the fans. The terrific Bad Seeds know exactly how to back him up. Gently playing along in the slow and intimate songs, but wild and rough in the louder parts, sparing no one to enforce Cave's words.

This doesn't miss its impact. The performance is spot on. A vicious and evil 'Stagger Lee' follows the dramatic 'The Mercy Seat' and brilliant 'Higgs Boson Blues'. Songs of the new album sound just as strong as his best songs. 'Push The Sky Away' is dark, spooky and fills the big tent with silence. I've never heard a big crowd go so quiet. Many people were questioning if Nick Cave was a good headliner to close this last day. With this magnificent performance there's no doubt any more. He closes the set with the always gorgeous 'Into My Arms' which make this performance a perfect one.



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Still stunned from the performance we get ourselves some of the last bitterballen and some beers. So what about finally going to the Titty Twister? Another huge line!? Crap! Grolsch Beugelbar it is then.

Another good edition of Lowlands has come to an end. I really noticed an increasing number of people come here to party and music comes in second. The Lowlands organization seems to targeting that group more and more, which is a real shame. Hopefully music will never come in second for them. Or should I start looking at a different festival?

More Pictures

Lowlands 2013 Day 1
Lowlands 2013 Day 2


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Thursday, 7 April 2011

Another Step Forward For Noah And The Whale



The Musicians of Noah And The Whale once started out as an indie folk band. With their second album The First Days Of Spring, that was received with mostly positive reviews, their music already shifted towards indie rock. They took a different turn at that time and they have continued this on this third album. The quartet from the UK isn't afraid to use all kinds of electronics with it. This is clear right from the start of Last Night On Earth, when the pretty cheap drum computer sound and synthesizers kick off the album. Fortunately on the rest of the album the electronics are used more tastefully.


Noah and the Whale - Last Night On Earth (Ronald Says 8 out of 10)

The result is a variety in songs and nice arrangements. It all sounds a bit bigger, but they mostly don't take it too far. It also leads to interesting creations. For example 'Give It All Back' has a catchy tune that sounds like the ring tone of a cell phone. This is working great resulting in a happy song. First single 'L.I.F.E.G.O.E.S.O.N.' is a mix of 'Lola' by The Kinks, 'Love Of The Common People' by Paul Young with a splash of Lou Reed's 'Walk On The Wild Side'. The chorus that spells out the letters of the title sticks to your head for the rest of the day. The album title also comes from this song: "On my last night on earth, I won't look to the sky".

The comparison with Lou Reed isn't coincidental because singer Charlie Fink sounds a lot like the former The Velvet Underground front man, like in 'Wild Thing'. He also got inspiration by Reed's Berlin for this album. Other times his voice sounds a bit more thin, especially in the more intimate and melancholic songs. Despite this melancholy the album is pretty optimistic that breaths hope. But the lyrics aren't always on the same level. Fink is a pretty good lyricist and story teller and proves it once more, but still it isn't that comprehensive all the time. For the rest there aren't too many weak spots in this album. All in all Noah And The Whale made another step forward and prove it with this mature album.

This review has been published on ROAR E-Zine in Dutch over here.

Listen to 'Last Night On Earth' on Spotify

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