On Stage: Jungle By Night

I remember when I saw Jungle By Night for the first time. It was a free performance at the traveling theatre festival De Parade and must have been around nine years ago. Nine teenagers played refreshing and swinging afrobeat songs and I loved it. The boys have grown up and are now celebrating their tenth anniversary.

Jungle By Night at Paradiso Amsterdam, November 28 2019

They looked quite shy back then and a little surprised by the enthusiastic response they were getting from all the people who were dancing to their music. Afrobeat wasn't exactly a hip music genre at the time but had a bit of an old fashioned image. I'd like to think that this band had a part in changing that, transforming it into a modern and exciting music genre, loved by many young people. Tonight the band is partying, celebrating ten years of hard work that paid off. Since the band is traveling the world now, playing lots of shows, making people dance all around the globe.

Their music has transformed as well, exploring new grounds, from seventies funk to psychedelic and space disco. Many of the band members have attended music colleges and all have grown into incredible musicians. Now the young men aren's shy any more, but stand on stage with a lot of confidence and a ton of experience. Fortunately not everything has changed, because the youthful enthusiasm and sheer joy in playing and performing their music together is still there, judging from the happy faces on stage.

It's a delight to see this band play and to have witnessed it grow into this well-oiled hot swinging groove machine it is today. Every single one of them gets a moment in the spot lights today and they all eagerly take this moment to shine. The horns section is of course very important and boy, trumpet player Bo Floor's sound is amazing. The engine of this band is without a doubt the rhythm section that makes sure the groove never stops. There's a lot of percussion which lifts this groove even more and spices up the music.

Guitar player Jac van Exter and keys player Pyke Pasman add the sparkle, that pinch of magic which is the icing on this tasteful cake. Tonight the band makes this cake even more tastier, turning it into a proper birthday cake. They play for more than two hours and turn the sold out venue into a true dancing party, a lovely celebration of their music. Everyone inside is more than willing to party with them and dance to the irresistible grooves. Fortunately the band assures us they still have no intension to slow down and promises to celebrate their next anniversary in ten years time again on this same spot. Of course I'm so there!

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On Stage: Fatoumata Diawara @ Paradiso

Malian artist Fatoumata Diawara had to leave her country to become a an actress. Or actually to stay one, since she was already performing when she was young. In the very religious Mali her parents didn't want her to sing and act, but instead she should start a family like a good devout young woman is supposed to. In France her acting career took off and she taught herself to play the guitar. She recorded two solo albums and her amazing talent didn't stay unnoticed for long. Now she's returning to Paradiso where I saw her several years ago.

Fatoumata Diawara at Paradiso Amsterdam, November 17 2019

Diawara is a very charismatic artist that spreads a lot of energy and good vibes. Her wonderful voice and beautiful smile is winning over everyone within no time. Her lovely songs are about the many problems Africa faces, including her homeland Mali, but also about the positive things happening there. Sometimes she introduces a song with a small story about its background. This is not only very interesting but also necessary since she sings mostly in the Malian language Wassoulou and I don't know what the songs are about.

Her band consists of very skilled musicians, that play the songs with a lot feeling. The African style songs really come alive on this cold November night here in Paradiso and bring the African sun instead. Diawara is the radiating centre of this band, who is firing up the crowd and her band members, moving around stage all the time. Her African dancing is full of energy, wildly tossing her hair around. At the same time she's showing her guitar skills, playing impressive solos.

With only two albums out, there still is a large variety in sound. There are highlife and afro-beat songs, folk songs, intimate ballads and uptempo dance tunes. All the time it has this lovely West-African vibe that I love so much with the playful tingling guitar lines. Diawara is making everyone clap along, dance along and jump along with her as she's leading with a big smile on her face.

Every musician gets a chance to show his amazing skills with impressive solos. The bassist makes his bass growl and slaps the hell out of it during his solo. The guitar player is going Jimi Hendrix and the drummer copies every line Diawara sings to his drum kit. After finishing the set, Diawara is not allowed to leave without playing an encore and of course she is happily returning to the stage for one more song, inviting some people over to dance with her. We can be really thankful she had the courage to chase her dreams.

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On Stage: Femi Kuti and Positive Force @ Paradiso Tolhuistuin

Fortunately I have seen one of the founders of afrobeat, Tony Allen, play several times. The other founder, Fela Kuti, I never got to see and unfortunately he has parted with us quite some time ago. Watching his sons Femi and Seun is the closest you can get to him and after seeing Seun a couple of times I am finally able to go to a Femi Kuti show with his band Positive Force.

Femi Kuti and Positive Force at Paradiso Tolhuistuin Amsterdam, May 4 2018

Femi tells us he will turn 56 in a few weeks. He’s the eldest of the two brothers that keep the legacy of their father alive. Both do that in their own way but still stay close to the original afrobeat. Both do it with a lot of heart and fire and like their father are passionate about their country, the continent and about standing up against corruption and oppression.

Femi may be older but the charismatic musician hasn’t lost any of his energy. He’s dancing all over the stage, once in a while playing his alto sax or organ. It is the use of keys that at the same time carries his signature and also adds another true African touch to the music, reminding of the music from the late seventies and early eighties like fellow Nigerian William Onyeabor.

Positive Force is a big band where drums, percussion, guitar, bass, horn section, keys and dancers fill up the stage completely. They are a delight to watch and together with Femi energize the crowd that starts to dance immediately. Femi checks if we’re still paying attention now and then, but of course we are when so much is going on. Except when he’s trying to teach us a few dance moves where he jokes he’s a bit disappointed at our dancing skills.

It is a two hour show with older and brand new songs, that has all the ingredients of a wonderful afrobeat party the way Fela intended it to be. Femi brought The Shrine to Amsterdam tonight and his father couldn’t be more proud. Next month Seun will most certainly do the same when he visits this venue. And I’m definitely there again to join the dancing.



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On Stage: Tony Allen @ Paradiso Tolhuistuin

The Dekmantel festival is a yearly festival for electronic music on a beautiful location in Amsterdam, the huge Amsterdamse Bos park. It's not exactly my cup of tea, but the festival is renowned for having a cutting edge program. This year they have a series of opening shows around town and to my surprise one of them featured Tony Allen. Needles to say I wanted to go there.

Tony Allen, Dekmantel opening show at Paradiso Tolhuistuin Amsterdam, August 4 2016

The Nigerian drummer and afrobeat inventor is one of my favourite musicians and to see and hear him live is a delight. He's turning 76 in a few days, but is still going strong. It's the same band that I saw play a few times before, the last time in Barcelona at Primavera Sound a year ago. The band starts off a bit slow and so does the crowd. It looks like both have to get used to each other. It is maybe a different crowd than the band is used to and the people here may also not go see a band like this a lot.

In the end the people visiting this festival besides dancing to DJs and electronic music and partying, have an open mind to music. That's something you can leave to Tony Allen who likes to see the people dance. His grooves and afrobeat music are perfect for it, so it doesn't take long for people to start shaking it. It's always wonderful to see this master play the drums. His light touch, his subtle playing and his irresistible grooves are unique. He doesn't stick to just regular afrobeat, but you can hear he's also exploring his possibilities and keeps developing his sound.

The rest of the band get enough room to play as well and we get treated to some nice horns, keyboard and guitar solos. At the end of the show Amp Fiddler joins the party as well and this show is now getting really hot. Allen himself is looking pleased too, with a big smile on his face. Unfortunately this show was only scheduled for an hour, so by the time everyone is on fire it's time to close up. Hopefully I will get to see this wonderful musician many times to come.



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On Stage: Vaudou Game @ Paradiso Tolhuistuin

After seeing Vaudou Game play a hot show in the woods at night at the Into The Great Wide Open festival, I was hoping for them to play my town some day soon. It took a while but finally I'm able to see them again and they brought a special guest.

Vaudou Game at Paradiso Tolhuistuin Amsterdam, April 17 2016

The band fronted by the charismatic Peter Solo are off to a slow start. Solo has a passionate but quite long introduction about "vaudou music" and the story behind the band's name. But then they start playing and the seventies style funk sound, mixed with afrobeat are taking over. It doesn't take long for the band to warm up and the temperature starts to rise, igniting the crowd. Solo has a contagious way of playing, sometimes looking concentrated but mostly with a big smile on his face.

The band are playing tight funky grooves backed up by sizzling percussion and horns. It's no secret African music and funk mix well together and Vaudou Game create an explosive blend. Solo may talk a lot in between some songs, but when an artist is so excited and passionate it is forgiven. He introduces the special guest, Roger Damawuzan also known as "James Brown from Lomé". Unmistakably do we hear the band play funky James Brown inspired tunes, where Damawuzan uses some of Brown's trademark screams but also has his own style. Positive vibes radiate from the singer who, like Solo, is smiling throughout the show.

When Solo and Damawuzan connect on stage, positivity explodes and the audience responds. By now the room has turned into a tropical dancing party and both crowd and band are having a good time. 'Pas Contente', the song where Damawuzan collaborates on, gets an extra long version to keep the party going. After a big roar the band returns for an encore and receives a well deserved long applause at the end of the set. This band is guaranteed to turn the heat up on every party just like their wonderful album Apiafo will.



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On Stage: Felabration 2015 at Paradiso Amsterdam

It has become a tradition by now to celebrate the life of Fela Kuti in Paradiso in October with the boys of Jungle By Night. Every year there are some special guests to celebrate with us and this year one if them returns. No one less than Seun Kuti & Egypt 80 are here to start off the celebrations.

Felabration at Paradiso Amsterdam, October 3 2015



Seun Kuti & Egypt 80
Last month at the ITGWO festival Fela's youngest son had to be rushed to the island where he played a relatively short set. Tonight there's more time scheduled in which works in their advantage. The group is able to stretch out the songs more and let the afrobeat do what it needs to do: grooving so you have to dance and slip in a trance. Seun is the one who stays the closest to his father's legacy, both in music and form, together with his father's band Egypt 80. Seun Kuti's speeches in between songs are full of political statements, speaking for the African people. He explains his new song 'IMF' stands for "international motherfucker" bringing no good to the people. It's a good song in the true spirit of his father. A few people are shouting that Kuti needs to continue playing and apparently don't get what we are felabrating tonight. Fortunately most people do get it and enjoy the energetic and hypnotic music and the speeches. It's probably not possible to get closer to Fela than this.

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Umeme Afrorave
We go upstairs to the small hall where a new band is playing called Umeme Afrorave. I spot New Cool Collective percussionist Jos de Haas behind the congas which is promising. The Amsterdam band are playing dance music based on traditional African music, which comes down to electronic dance tunes on top of percussion with lots of African influences. It works very well and the clever songs sound energetic, turning the place into one big dance party. I'm definitely going to watch this band.

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Jungle by Night
Of course the young afrobeat collective are on the bill themselves as well and are playing the main hall. The group are an established name by now and are even taking on the world. I have seen them grow from talented young musicians into an experienced group that can turn any place upside down. Tonight they are treating us to a special set with covers of songs that have inspired them. I couldn't really identify most of the songs but of course Fela Kuti's music had to be there and it was nice hearing a great version of the mysterious Nigerian musician William Onyeabor's 'Good Names'. There's another surprise tonight when a 10 year old girl trumpet player is brought onto the stage to play along, as part of a kid's program, and she even plays a wonderful solo. By that time the place is already one big hot dancing hall. At the end there's a jam with members of all bands tonight including Seun Kuti himself. It reminds of Fela's legendary night club The Shrine and I don't think there's a better way to honour his life.

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This night is far from over and by now everywhere in Paradiso people are partying and dancing to afrobeat music. I guess it's safe to say this was probably the best edition so far. See you next year!



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On Stage: Orlando Julius And The Heliocentrics

Now that all kinds of afro music is hot and happening again, it has renewed interest in some old veterans. Like afrobeat legend Ebo Taylor for instance who almost was forgotten. Another one of those giants is Nigerian musician Orlando Julius who started in the sixties and finally was noticed outside Nigeria after the turn of the century. Last year he released a new record Jayide Afro with The Heliocentrics which surprisingly is his first international album with new material. Now he is touring with them around the clubs in support of that album.

Orlando Julius and the Heliocentrics at North Sea Jazz Club Amsterdam, January 28 2015



The small stage of the North Sea Jazz Club is completely full when the big band takes the stage. They don't need to warm up at all and start grooving right away, with Julius playing his tenor saxophone. He will play his instrument a lot tonight, but will also bend over his organ now and then or just stick to vocals. He's singing mostly in a local language, which is impossible to follow of course. But also the "Nigerian English" can often be hard to understand. Which is a shame because he's chatting in between songs about what they are about, cracking jokes in between. Julius is in his seventies but is still looking very brisky, dancing around stage while smiling non stop throughout the set.



The Heliocentrics are a great band, that understand perfectly what the somewhat psychedelic music needs, keeping songs going forever with a tight groove. Of course they all get plenty of time to show their skills in exciting solos, now and then challenging each other to join in. Julius' music has lots of soul and is a blend of highlife, afrobeat, funk and soul, or Super Afro Soul as he calls it. Think of a mix of Fela Kuti and James Brown and you get the idea. He used to live in the USA for twenty five years, which explains the soul and funk influences.



And so we can hear funky guitars and horns on top of hypnotic drums and percussion, that will get every one moving, which is exactly what happens. Throughout the whole set I don't think there's a single person that is able to stand still. At the same time there's no sad face to find here, all you can see are big smiles around. They leave the stage for a short time at the end of the set and return one more time to play Julius' first hit song from 1964, 'Jaguar Nana'. When we go outside we almost the expect to be greeted by the African sun and have a cold beer outside. Instead it's dark, cold and wet, so better go home quickly and play some more African music.



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Seun Kuti Proudly Keeps Kuti Legacy Alive

As the inventor of the Afrobeat together with his drummer Tony Allen, the name "Fela Kuti" has become synonymous with the music. Nowadays there's a true afrobeat revival going on with many young people discovering the music. Seun Kuti is one of Fela's children that is keeping his musical legacy alive. In his case, he's also keeping his father's political views and social activism alive, like his brother Femi. Together with Fela's band Egypt 80 he's recording new music and performing in the spirit of his father. As an afrobeat lover I was really pleased to hear Seun was playing in my hometown again. Seun Kuti and Egypt 80 at MC Theater Amsterdam, April 11 2014



The MC Theater isn't a very big venue and the big band is somewhat packed together on the small stage. Of course an afrobeat band usually has many members and as one of the big names in the genre, Egypt 80 is no exception with a horns section, rhythm section with percussionists, guitars and dancers. The members are a combination of young and old musicians, who start out by themselves until 5 minutes later Seun Kuti joins them with his alto sax.



Kuti bears a big resemblance to his father, both musically and in appearance. He's a charismatic front man something that I already found out a few years back. At that time he only could only play a relatively short gig, but tonight he's treating us to a two hour performance, playing his father's songs and his own compositions. This means there's also plenty of time for his political speeches and criticism of the situation in Nigeria and Africa in general. These small intermezzos are inspiring and full of fire. Kuti comes across as a proud and cheerful man, with a strong and powerful will.



This is also clear from his stage performance and sax playing. Often he's dancing wildly on stage or playing his sax with a lot of determination. At the same time Egypt 80 are backing him up in a quiet fashion. The younger players eagerly take their moment in the spot light for a solo. The older members are more relaxed, in the beginning even somewhat unmoved, but later on show they are enjoying it and their appreciation with big smiles on their faces. They have seen it all and know with a big band like this, there's no room for showing off. Therefore the music sounds well balanced and stays focused all the time. The long repetitive songs will get you in a trance that is so essential for afrobeat.



At the end of this powerful and energetic performance, there's not one person who is not dancing and smiling. After the encore, the musicians are raising their fists, like Fela used to do. Seun, who took off his shirt halfway through, looks like a boxer after winning his fight. It doesn't take much of your imagination to see his father their in front of you. Seun, even more than his brother Femi, is following in his father's footsteps, by staying close to his ideals and music. So it is true: Fela lives!

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New Cool Collective Celebrate 20th Anniversary

I've written about New Cool Collective several times and have been following the jazz collective for more than ten years. But the band formed years before that, twenty years ago to be precise. They have been playing some shows to celebrate this milestone and end with a big celebration in the Melkweg. Needless to say I had to join in on the celebrations.

New Cool Collective at Melkweg Amsterdam, December 23 2013



When we arrive at the venue, the doors are still closed and a long line is waiting. I still have no idea what this was about, but we decide to go for a beer first. When we return there's still a line and by the time we make it in, second support act Typhoon is about to wrap it up. Fortunately he will return later as a guest. The big hall is completely packed when the birthday boys take the stage. They start out as the "standard" jazz combo, which is the line-up they play the most in. Everyone is in a festive mood, also because it's Christmas in a few days, and positive vibes fill the hall right from the start.



New Cool Collective show why they are the best jazz combo around at the moment and what makes them into a one of a kind band. Jazz combo is not even the right term to describe them, since the band has mixed styles like jazz, latin and afro-beat into a unique genre. It usually results in swinging music that bring cinematic images to mind. Saxophone player Benjamin Herman acts as the front man, occasionally addressing the audience. As usual his enthusiasm is hard to ignore and catches on quickly. The band is playing in a relaxed fashion and every member gets a moment in the spot light.



After a first warm up set, there's a break to set up for the next part of the show: time to bring in the big band. This is the line-up you won't see them use that often. A lot of horn players are added and the band transforms into a show band counting almost twenty members. The songs sound more full this way, but still unmistakably carry the New Cool Collective signature. There's no celebration without guests, so Queax Queax Joans, Ruben Hein, Hans Dulfer, Typhoon and comedian Hans Teeuwen all join in. It results into a colourful celebration with Christmas songs and plenty of laughter. In the final encore everyone returns to the stage for a cheerful version of Slade's 'Merry Xmas Everybody'. And so we raise our glass to this magnificent band for a toast. Let's hope they will be around for at least another twenty more years.



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Felabrating Fela's Legacy Jungle By Night Style

This year Fela Kuti would have turned 75 years old. Although it's sad he had to leave us so early, people are celebrating his life and the big legacy he left us. Not only his music, but also his engagement and charismatic personality. Jungle by Night organised Felabration for the third time in The Netherlands. This time it was even three nights in a row in different Dutch cities. Of course Amsterdam was one of them.

Felabration 3 at Paradiso Amsterdam, October 11 2013



Besides Jungle by Night themselves, they once again managed to book an iconic afro-beat act. Two years ago Seun Kuti came to celebrate and last year Jimi Tenor and Tony Allen joined in. This year no one less than Ebo Taylor starts off the night. The musician from Ghana was re-discovered a few years ago. Since then he released two new albums, his latest one Appia Kwa Bridge last year. Taylor is 77 years old, but is going strong again. He brought a great band with him. Enthusiastic musicians that know exactly what this night needs: a whipping performance with plenty of positive vibes. Within no time we're in hot Ghana. The mix of afro-beat and highlife has everybody dancing from the start. It's inspiring to see how the old Taylor can make youngsters move to his music. Now and then he's looking at the crowd with a smile. He's sitting down for short breaks at the side of the stage while his band is playing on and especially his keyboard player is entertaining the crowd. The master himself is looking pleased.

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Jungle By Night are playing after that. The band has turned into an experienced afro-beat machine. If anyone is able to stand still they have to be made of stone. The young musicians are working hard to get everyone going. In the end there isn't a single soul in the venue that is not dancing and smiling. Especially for tonight the group prepared some Fela Kuti songs and even present a new song. It sounds like the musicians have grown a lot. Their busy tour schedule has paid off. It also cost them their bass player, who quit a few months ago. They found a worthy replacement though and the band sounds better than ever.



At the end of the show Ebo Taylor and his band join in for a grand finale. The overcrowded stage turns into a happy jam session. It may not be tight all the time and with so many musicians it's hard to keep it all together. But the fired up wild bunch and good spirits make up for that. Taylor isn't jamming with them. He did his part for the night. The veteran does stay on stage with the rest though, looking pleased again. He knows the afro-beat is in good hands now with a younger generation. His and Fela's legacy are safe. And that is a reassuring thought on this very successful felabration in the true spirit of Fela.

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Tony Allen, King Of The Groove

Together with Fela Kuti, drummer Tony Allen invented the afrobeat several decades ago. Now in his seventies he's still one of the biggest performers in that genre. The master made a guest appearance at this year's Amsterdam edition of Felabration last month. But whenever you are able to see a legend like Allen perform an entire show, you have to grab that opportunity.



Tony Allen's Black Series at Bimhuis Amsterdam, November 9 2012

For the Black Series tour, the drummer from Nigeria is visiting the jazz club Bimhuis in Amsterdam which filled up nicely. He's accompanied by a young band where especially trumpet player Nicolas Giraud is getting plenty of freedom to play his sparkling solos. Allen is seated behind a golden drum kit overlooking the young band. But he's not pleased with everyone sitting down in this jazz club. Naturally this is quite normal in this kind of venue but Allen wants people to dance! Many people are quietly moving their body in their seat to the irresistible grooves. "Allen doesn't hold the sticks: they float between his fingers as if by magic" according to British news paper The Guardian. This is absolutely true. His relaxed and loose style is a delight to watch. The groove never ceases, which he keeps on going at all time. Even when playing fills or grabbing a few more drum sticks, the groove is always there.



That's what makes him such a great drum player. His timing is phenomenal, always laid back, playing his grooves behind the beat. Bass player César Anot is the perfect match here. Anot seems to be smiling the whole evening and is enjoying the rythms the master drummer is laying down. After the break, people are still in their seats and Allen can't take it any more. He and his band urge people to stand up and start shaking their booty. Fortunately no one can ignore this request any more and within no time we are all dancing. Now the show is really taking off. Allen is smiling and the band is looking content. The band's efforts are paying off now and the room is boiling with energy. This causes the music to swing and groove even more. It shows how important energy between a band and an audience is.



Every member of the band is allowed to show their skills. Francois Xavier Bossard on keys is playing some hot solos, Claude Dibongué is playing laid back guitar solos and singer Audrey Gbaduidi is getting her time in the spot light as well. Of course they have to come back for encores since the crowd is hungry for so much more now. It's good to see how a band can turn around a performance and end up winning big time. Allen is all smiles and for a good reason. What a legend!



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Felabration: Partying Fela Style

For the second year in a row, Jungle By Night, the young Dutch afro-beat collective, organised a Dutch edition of Felabration to honour and celebrate the life of Fela Kuti. A few days later Fela would have turned 74. Several bands would be playing this night, including Jimi Tenor with very special guest Tony Allen.

Felabration: Fela Kuti Tribute at Paradiso Amsterdam, October 12 2012



I don't need much persuasion when a legend like drummer Tony Allen is announced. Together with Fela Kuti he invented afro-beat. So we make sure to arrive at Paradiso on time to watch Jimi Tenor kick it off on the main stage with Kabu Kabu.



Jimi Tenor with Kabu Kabu, special guest Tony Allen

Jimi Tenor, real name Lassi Lehto, is a Finnish jazz musician. Tonight he's playing with Kabu Kabu, an afro-beat band from Berlin, who already worked with some famous afro-beat pioneers like Ebo Taylor and Tony Allen. Tenor is giving a lot of freedom to the band to play the jazzy tunes. He's playing flute and sax himself and is singing some occasional vocals. Most members are getting their chance in the spotlight. A lot seems improvised, which gives it a very loose but also a bit of a messy feel. After a while they announce Tony Allen, who will be playing the rest of the show with them. Unfortunately this is rather short and after about 15 minutes they have to end. It's still great to see the master himself on stage. His very relaxed style is all coolness. Don't expect any technical tricks or rolling fills. But he's so tight in the groove and loose in his playing. It's a delight to watch this legend and dance to the music he invented.

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Of course the young members of the band themselves are also playing tonight. It's clear they are spending a lot of time playing together and on the road. Every time they sound more tight and look more relaxed and confident on stage than the time before. Where Jimi Tenor was lacking some speed and may have been a bit too jazzy for this crowd, Jungle By Night know how to light the fuse and get this party going. Fortunately besides Jimi Tenor and Kabu Kabu, they get Tony Allen to play with them as well, so I get to see a bit more of one of my favourite drummers. The old master is all smiles and looks like he's loving every minute of it. It has to be a great feeling, that such young people are playing and dancing to the music you invented fourty years ago. It looks like the legacy of him and Fela Kuti is safe. Kuti himself would have approved as well I'm sure.



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Bixiga70 It's a diverse bill tonight. We missed two more bands, one from Germany, Woima Collective and another Dutch band, Atanga Boom. Now there's a band from Brasil playing on the small stage upstairs. It's their first show outside their country and I hope it won't be their last one. Their music, afro-beat with some latin influences, is very catchy and danceable. It's impossible to stand still. The band is very excited and is working hard to please the crowd. When a few members of Jungle By Night join in on the fun, it turns into a wild jam. It's the appropriate ending of the live part of this Felabration, before the after-party downstairs takes off.



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This event is a great idea. For the second year in a row it proves to be very successful. It's good to see that a musical genre that almost seemed destined to be forgotten, is catching on with a young generation. This way we will never forget about great people like Fela and Tony Allen. Hopefully we can "felebrate" for many years to come.

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