Showing posts with label the murder capital. Show all posts
Showing posts with label the murder capital. Show all posts
Monday, 28 October 2019
London Calling #2 2019
The times the London Calling festival was only all about new British bands is long gone. The bands are not only strictly from Britain now and the music is more diverse than ever. It was mostly indie about ten years ago when we visited the festival at Paradiso frequently. But after a few editions with mostly mediocre bands we stopped going for a while. Now post-rock, garage rock, punk, shoegaze and new wave bands are coming to this festival and things are interesting again.
London Calling at Paradiso Amsterdam, October 25 + 26 2019
It's also part of the Indiestad pass selection, which makes it almost a no brainer to go and try to cherry-pick the best bands. That isn't always as easy as it sounds, since trying to make it into the overcrowded small hall is always extremely difficult so we decide to stay downstairs in the main hall and watch the bands there.
Friday October 25
RVG
Once started as Romy Vager Group, Australian band RVG draw inspiration from 80s bands like The Smiths, The Go-Betweens and The Soft Boys. Singer Romy Vager sings her lyrics with incredible power and heart, while at the same time playing catchy and clear guitar lines in the greatest The Smiths fashion. It truly is a great introduction to this band, who really are able to impress me.
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Night Moves
Also drawing inspiration from the 80s, all the way to their looks, but from a different perspective are Night Moves. They are drawn to the soft rock side of that era with poppy songs and warm synths. However this is not the most interesting part of the 80s and the sugar coated songs aren't really interesting. There isn't a lot of variation and after a while singer John Pelant's shriek voice is starting to get on my nerves.
Official Website | Facebook | Twitter | Instagram | YouTube | Spotify
The Murder Capital
Time to get things going again with Dublin post-punk group The Murder Capital, who had quite a year. Their name is buzzing around in the music scene also because of their intense live shows, as I got to witness myself a few months back. The band starts out with a couple of slow songs to build up the atmosphere. While they patiently build up the tempo the boys are all over the stage swinging their guitars around. Singer James McGovern walks around stage, working the crowd, delivering his dark vocals with great power. This is an angry band who have a lot to tell about what's bothering them and know how to draw attention. Of course it is it a lot of show, but at the same time these alpha males here on stage mean business. Their post-punk songs are dark, heavy and intense, clearly influenced by other post-punk bands from the Dublin area but also from their famous fellow Dubliners U2. By the end of their set, the Irish group has turned the whole floor into a wild pit and you'd wish they could keep going for a lot longer.
Official Website | Facebook | Twitter | Instagram | SoundCloud | YouTube | Spotify
Squid
I am really looking forward to Squid who were so good at the Into The Great Wide Open festival. This band is rising quickly and for a good reason. Their songs are very clever with Talking Heads and LCD Soundsystem references, where they know how to keep things interesting. Tonight they are bothered with a lot of sound problems, that don't really get fixed throughout their set. It doesn't get the band down, but their songs lose some detail because of that, which is exactly what makes them so good. Despite all of that, the band once again proves to be one of the most interesting new bands on the rise this year. The combination of groovy songs with incredible hooks and the somewhat hysterical vocals of Ollie Judge are spot on. It's hard to resist a song like 'The Cleaner' and I can't wait to see them again soon.
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Heavy Lungs
We finally can make it upstairs where we don't want to miss Heavy Lungs who have already kicked off their wild show. Like fellow Bristol citizens IDLES this is a wild punk band. Their music is even more intense, in the same style as METZ. The band's delivery is part of this as well, with wild singer Danny Nedelko leading the pack. The band keeps knocking you over with heavy punk songs in a ferocious way until you simply have to surrender and join the pit. If that is not enough, Nedelko jumps off stage to drag in the last doubters.
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After this explosive show I call it a night. This has been an incredible London Calling night, maybe one of the best in a long time.
Saturday October 26
After yesterday the line-up for today maybe looks a bit bleak. Although today has The Twilight Sad on the bill, which in itself is already a good reason to swing by Paradiso.
Orville Peck
I walk in during Orville Peck's show and wasn't quite ready for a cowboy band. Singer Peck, described as "a masked gay crooner", is dressed in a western style Mexican themed glitter suit. He is wearing a kind of "Lone Ranger" mask with a veil. Like Peck everyone else in the band is wearing a cowboy hat. There is at least one hard core fan in front of the stage, as he wears a cowboy hat as well. Peck sounds like The King singing country songs, which in itself isn't that weird and could be interesting. His voice is pretty good and the band clearly can play. But this is definitely not my cup of tea and it sounds more like The King had a drink and a valium too many. The fan at the front loves it though and throws his hat onto the stage at the end of the set. I'd tip my hat to him if I wore one.
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The Twilight Sad
Every edition London Calling will have a band that has been around for a while and don't qualify as a new promising band. This time The Twilight Sad are the ones to play this spot, who played the festival ten years ago as well. The Scottish band has been around for over fifteen years and released its fifth album in January. I was expecting it to be full but that is not the case. But you can see many people came down to see this band though. They won't be disappointed as the band plays an inspired show. Singer James Graham sings with plenty of heart and emotion, together with a lot of theatre but never over the top. The band takes its time building up the dark songs, that have a lot of depth and detail. There are noise and krautrock elements in their music, which has great melodies and hooks as well. The band proves this tonight with a convincing show that pleases most of us here.
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YAK
Like yesterday I'm going out with a bang tonight, this time with YAK. I saw this band earlier this year in the summer at the Loose Ends festival and liked their raw psychedelic garage rock sound a lot. Tonight the trio convince me even more with a lively and hot rock show. It reminds me of the Jon Spencer Blues Explosion now and then. The songs are heavy with pounding drum grooves and fuzzed out guitars. Singer Oli Burslem works up a sweat and the youngsters at the front are willing and eager to dance. It is a fitting end to a very good London Calling weekend.
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All Pictures
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Labels:
festivals,
heavy lungs,
live review,
london calling,
night moves,
orville peck,
rvg,
squid,
the murder capital,
the twilight sad,
yak
Thursday, 5 September 2019
ITGWO 2019 Day 1 + 2
The island of Vlieland is waiting for us again for another edition of that wonderful little festival Into The Great Wide Open that we visit annually. The sun is out and we are already sucking up its ray on the ferry to the island. I can already feel that lovely island mood flowing.
Into The Great Wide Open 2019 Thursday August 29
Squid
The festival kicks off for us with one of the most interesting new bands of the moment. Squid from Brighton play catchy and danceable punk rock songs that sound like a mix of The Rapture and LCD Soundsystem. Drummer Ollie Judge who is also taking care of most of the lead vocals has a bit of hysterical way of singing which fits their hyperactive music. The way he's phrasing his lyrics is clever and the rest of the band support him with energetic and percussive grooves. The hesitant crowd are slowly doing their first dance moves of the festival.
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Onipa
We head to the bigger stage in the woods and we find a big crowd there, that has been warmed up completely by Onipa. The band from the UK with singer K.O.G. from Ghana has many people dancing to their hip hop, dance and percussive music with plenty of West African grooves. That is an excellent mix and K.O.G. is a wonderful frontman who is dancing around stage with a big smile on his face. This is one of those bands that will light up a festival with positive vibes and beautiful music.
Official Website | Facebook | YouTube | Spotify
Whispering Sons
After seeing Belgian band Whispering Sons killing it a few times, we don’t want to miss them playing the only indoor stage of the festival. The dark small venue should be fitting for their even darker music. The sound is a bit dry though and it makes their music less powerful, making it harder to get into. Fortunately Fenne Kuppens keeps working the crowd with her expressive performance and low voice. In the end they are able to grab me again with their gloomy and impressive show.
Official Website | Facebook | Twitter | Instagram | SoundCloud | YouTube | Spotify
Into The Great Wide Open 2019 Friday August 30
BCUC
I found out that I saw this band from Soweto some years ago as well on this island. Judging from my post I wasn’t really impressed. But a few months ago I really liked the energetic and lively performance. Today again the band plays a steaming show with a catchy mix of spirituals, soul and hip hop. The big drums keep the dancing going while Jovi Nkosi is singing, rapping and screaming tirelessly. Kgomotso Mokone's beautiful voice adds the soul and percussion and the wonderful bass of Mosebetsi Nzimande adds a lot of sugar to the steady grooves. The crowd keeps growing throughout the show and the band wins everyone over. There’s also time for some stories about the problems in South Africa and a message of unity. At the end Jovi has a heartfelt shout-out to his child and the man taking care of him now.
Official Website | Facebook | Twitter | Instagram | SoundCloud | Spotify
Daniel Norgren
I’m really happy to see Daniel Norgren again, since I love his music so much. It’s his second time on the island where I got introduced to him his first time here and completely got swept away. The gentle Swede starts out small behind the piano and then gradually lets it rip. The new songs are once again mostly laid back Americana tunes with Norgren’s skilful guitar that he sometimes will let erupt. His loyal band is a perfect match and plays with a lot of heart. The crowd feels this and is listening in silence, grabbed by Norgren’s music. It’s beautiful that such a happy crowd can stay quiet on a sunny afternoon like today. It is the audience Norgren deserves. He states this is one of the best festivals he ever played, quickly adding that he not just saying that. This festival and this wonderful musician are a perfect match.
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Yola
Some years ago Yolanda Quartey played in a band called Phantom Limb that was winning over hearts very fast. Suddenly they quit after their first album and I never got clear what happened. Now she’s back as a solo artist with similar Americana and country style songs. Mostly these songs are gentle tunes with the amazing voice of Yola. She is able to belt out incredible vocals but chooses to keep it small most of the time. The songs stay a bit on the safe side and it never gets so impressive as the first time I saw her. But the charismatic Yola is lovely to watch, looking very happy on stage performing her own music.
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Equal Idiots
It’s time to fire it up again and this Belgian duo are exactly what I need. Their explosive garage rock songs are all loud little firecrackers that start a small pit in front of the stage. This wonderful festival crowd is always a bit hesitant with wild guitar bands, so it never gets out of control. Singer Thibault Christiaensen notices this and keeps firing up the crowd until the pit starts growing. The duo never lets it slip and comes up winning in the end by playing contagious raw rock music with a lot of effort and energy.
Official Website | SoundCloud | Facebook | YouTube | Spotify
KOKOROKO
There’s a lot of music from the big African continent this year, or inspired by it. KOKOROKO draw their inspiration from afrobeat and jazz, which means they are channeling some of Fela Kuti's music and some amazing jazz as well. Indeed it’s quite jazzy with the three horn players at the front, but at the same time has exciting afro-beat vibes, making it very suitable for dancing. Trumpet player Sheila Maurice-Grey is also the front woman and the large band draws an equally big crowd to the stage in the woods. It is great to see so many people turning up for a band that doesn’t exactly play avarage festival friendly music. It proves the open mind of this festival crowd although it helps a lot that you can dance to this music. I like their sound a lot and all the happy dancing pepole around us between the trees makes for a lovely sight.
Official Website | Facebook | Twitter | Instagram | YouTube | Spotify
The Murder Capital
Hailing from Dublin, this group is one of the products of the exploding post punk scene there. The music of this five piece is on the dark side and the indoor stage is a good place for it. It’s an intense performance with the impressive front man James McGovern, who seems untouched by the big turn up. He doesn’t really have a great singing voice, but his vocals go very well with the dark and violent post punk. The other band members are circling around him, waving their guitars dangerously close to each other’s heads. This band is great to watch and I’m going to keep an eye out for them.
Official Website | Facebook | Twitter | Instagram | SoundCloud | YouTube | Spotify
All Pictures
Into The Great Wide Open 2019 Day 3 + 4
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Labels:
BCUC,
daniel norgren,
equal idiots,
festivals,
into the great wide open,
kokoroko,
live review,
onipa,
squid,
the murder capital,
whispering sons,
yola
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