On Stage: Stray Cats @ AFAS Live

I was still a little laddie when Stray Cats lived through their glory days at the beginning of the eighties. They already had disbanded for a while when I started going to concerts. They had a couple of reunions, including a farewell tour in 2008/2009, but I was never able to catch them. I also never got to see The Brian Setzer Orchestra somehow, although they passed through our country several times. Fortunately Stray Cats got back together for a 40th anniversary tour, recorded a new album and are playing a short metro ride away. Time to rock!

Stray Cats at AFAS Live Amsterdam, July 1 2019

When we get to the venue we find out many people have come early to catch support act Danny Vera. As a big Stray Cats fan himself of course he's over the moon to play here warming up the crowd for his big heroes. He's doing a great job with his heartfelt rock songs. The three Stray Cats are greeted by a rock 'n' roll hungry crowd, with some people dressed for the occasion. This is also a phone filming crowd too, as many phones go up in the air, especially in the beginning. It's not that often they get to see this band play live I guess. The three rockers start playing a new song 'Cat Fight (Over a Dog Like Me)' with a big smile that hardly ever leaves their face. These guys clearly are enjoying playing together again.

Although a couple of new songs are on the setlist, the trio mostly play their big hits with my personal favourite 'Runaway Boys' early in the set. The band understands that this is a crowd that wants to see them rock out their best work, so the new songs are scattered around the setlist. The hit songs haven't lost anything of their charm and magic, even though some of them are fourty years old. Most of them are still little rockabilly gems, that have stood the test of time.

All combined it turns the night in a cheerful one, with a enthusiastic crowd who are dancing, singing and clapping along. Brian Setzer is an incredible guitar player with mind blowing solos and very fast fingers. He's showcasing his skills in a little guitar improvisation halfway the show and doesn't even shy away from a convincing version of Dick Dale's 'Misirlou', the famous surf rock musician who passed away only a few months ago. Lee Rocker is plucking away on his double bass for that wonderful rockabilly sound that is so hard to resist. He's dragging the bass across stage, picks it up, lets Setzer rock on top of it and also sings a couple of songs. Slim Jim Phantom is playing his drums with great ease and in a loose way, standing in his usual relaxed fashion behind his kit. Now and then he will walk away from it, only playing the beat by hitting his sticks together.

This show has everything that is to like about this unique band, that conquered the world with their catchy rock music. They have been copied many times, but I don't think anyone ever came near them. All three are incredible musicians that make it look and sound so simple. But it's very clever and skilled what they are doing. It has been amazing finally seeing this band play and before I know it the trio is back on stage for a three song encore. When we leave the venue I only see happy faces around me in the lovely crowd that only spread good vibes tonight.



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Setlist:
01. Cat Fight (Over a Dog Like Me)
02. Runaway Boys
03. Double Talkin' Baby
04. Three Time’s a Charm
05. Stray Cat Strut
06. Mean Pickin’ Mama
07. Gene & Eddie
08. Cry Baby
09. I Won't Stand In Your Way
10. Guitar Improvisation
11. Misirlou
12. When Nothing’s Going Right
13. (She's) Sexy + 17
14. Bring It Back Again
15. My One Desire
16. Blast Off
17. Lust n Love
18. Fishnet Stockings
19. Rock This Town
Encore
20. Rock It Off
21. Built for Speed
22. Rumble in Brighton


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On Stage: Eddie Vedder @ AFAS Live

Photo by Ferdy Damman

About two years ago Pearl Jam's Eddie Vedder was doing a solo tour. I love Pearl Jam and I love Eddie, but prices for tickets were steep. Of course it sold out in no time, so I had to get tickets on Ticketswap when I decided I wanted to go after all, despite the high price. After the show I was really happy that I got to see him, since it was a wonderful show. This year Vedder was visiting again and prices were even higher (probably because of Dutch VAT changes), but this time I wasn't going to pass on them, since I knew it was going to be worth it.

Eddie Vedder at AFAS Live Amsterdam, June 9 2019

I didn't get the most expensive tickets, for the so called Blackbox, but slightly cheaper ones and we find ourselves sitting on the stands all the way at the back. These are not great seats, but I hope we can see it properly anyway. The setting is pretty much the same as last time and Glen Hansard is opening the night. I liked the Irish musician last time and again I'm impressed with his sincere songs and heartful performance. I really need to properly check out his music this time. It turns out the seats are really quite far off though and it is hard to see the singer's face clearly.

Photo by Ferdy Damman

Fortunately this time there's a big screen hanging at the back, and after Eddie Vedder himself has walked on the stage and played a few songs, the screen switches on and we can finally see him properly. Sometimes the screen shows some kind of monitor with the live images, or just some visuals supporting the music. But it's good to see the charismatic Vedder's expressions when he's playing. Like expected he's playing many covers, songs by Neil Young, Pink Floyd, and an emotional salute to Tom Petty. Many Pearl Jam songs get the acoustic treatment, big ones like 'Elderly Woman Behind the Counter in a Small Town' and 'Porch', but also some more rare ones like 'Wishlist' and 'Lukin'.

The Dutch Red Limo String Quartet has been invited again after joining him on his last European tour and play a lot more songs this time. The arrangements are beautiful and the Quartet give the songs a completely different twist that is perfect for this night. When Vedder leaves the stage for the first time, the Quartet return by themselves and play a lovely version of 'Alive'. You know Vedder isn't finished of course, far from it. During the stunning version of 'Better Man', E-Street sax player Jake Clemons joins him, taking the song to new dimensions. Glen Hansard joins for a few songs, and since Vedder, Hansard and Clemons recorded some Springsteen songs in the past, it is a perfect moment to play a few live. 'Drive All Night' and 'Open All Night' are good choices and I'm sure The Boss would love them.

Vedder's biggest solo hit 'Hard Sun' closes the first encore and you know there's still one song missing. So yes, he returns for 'Rockin' in the Free World', a familiar closer of his solo and Pearl Jam shows. He invites all his guests on stage. Even the two lucky ladies from the audience, Glen Hansard did a song with during his support show, rock along with Vedder for this cheerful ending. You just got to love Vedder for the way he plays music, with or without Pearl Jam. Of course he also talks about politics for a short while and shares his view of the world. It is always brief and it never takes away the focus from the music that always comes first. For the rest he just shares short stories, like about the time in 1992 in Utrecht, when a young woman gave him a lift on the back of her bike to his hotel. Nick Cave told us a few weeks back during his 'Conversations With...' show, he always tries to stay authentic as an artist. I think Eddie Vedder has always stayed authentic too and his music and personality are very inspiring. Despite the high ticket prices it was totally worth again.



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Setlist:
01. Keep Me in Your Heart (Warren Zevon cover)
02. The Needle and the Damage Done (Neil Young cover)
03. I Am Mine (Pearl Jam song)
04. Elderly Woman Behind the Counter in a Small Town (Pearl Jam song)
05. Indifference (Pearl Jam song)
06. Brain Damage (Pink Floyd cover)
07. Sometimes (Pearl Jam song)
08. Wishlist (Pearl Jam song)
09. Without You
10. Can't Keep (Pearl Jam song) (with Red Limo String Quartet)
11. Sleeping by Myself (with Red Limo String Quartet)
12. Guaranteed (with Red Limo String Quartet)
13. Far Behind
14. Rise
15. Wildflowers (Tom Petty cover)
16. Man of the Hour (Pearl Jam song)
17. Lukin (Pearl Jam song)
18. Porch (Pearl Jam song)
Encore:
19. Alive (Pearl Jam song) (with Red Limo String Quartet only)
20. Just Breathe (Pearl Jam song) (with Red Limo String Quartet)
21. The End (Pearl Jam song) (with Red Limo String Quartet)
22. Better Man (Pearl Jam song) (with Jake Clemons)
23. Song of Good Hope (Glen Hansard cover) (with Glen Hansard)
24. Sleepless Nights (The Everly Brothers cover) (with Glen Hansard)
25. Society (Jerry Hannan cover)
26. Drive All Night (Bruce Springsteen cover) (with Jake Clemons)
27. Open All Night (Bruce Springsteen cover)
28. Hard Sun (Indio cover)
Encore:
29. Rockin' in the Free World (Neil Young cover)


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On Stage: A Perfect Circle @ AFAS Live

Maynard James Keenan requires a lot of patience from his fans. Tool keeps us waiting for a new album and live dates, although next year the long waiting comes to an end. A Perfect Circle kept us waiting for some time too, but released a new LP Eat The Elephant earlier this year. They already played the Pinkpop festival and now return for a headline show in Amsterdam.

A Perfect Circle at AFAS Live, December 9 2018

At the Pinkpop festival in June they were playing in broad daylight, which made it hard for their light show to really impress. Now in this venue they make use of the dark environment and the light show comes to full swing. This means the video screens on the small risers and the screens hanging from the ceiling like pieces of glass (or icicles), are bright and clear. The images used on those screens combine with the big screen at the back, where mostly abstract visuals are used to set the mood for a song. For the rest the musicians are mostly scarcely lit and are moving around in the shade. Keenan is nothing more than a dark image at the back and it is hard to see the moves he's making on his riser, like he did at Pinkpop. Billy Howerdell is at the front but also mostly in the shade. Drummer Jeff Friedl is probably the best visible one, on his high riser and with at least a bit of light on him.

This is exactly like they want it of course. It is now allowed to use cameras or phones in any way, enforced by security, so I didn't bring mine (which explains the pictures from Pinkpop being used here). It results in an interesting shadow play together with a dark and gloomy show. A Perfect Circle always had slow rock songs, that don't rely on big eruptions but are getting under your skin. I like this slow, mellow but still heavy sound, a lot. Live the band knows exactly how to reproduce this sound and even can emphasize it with concentrated playing. In the beginning the sounds seems a bit pale, but after a couple of songs I can hear the balance shifting and it gets better. It isn't really crisp but at least the heavy sounds comes across more effectively. Some of the new songs need a bit of time to really sink in, but by now I really like them. Even the strange synth rich 'Hourglass' sounds familiar by now.

There's hardly any talking in between songs and in almost two hours, the bands steadily work their way through twenty songs, including the Brinsley Schwarz cover '(What's So Funny 'bout) Peace, Love and Understanding' and AC/DC's 'Dog Eat Dog' dedicated to Malcolm Young and other people Keenan and co. admire and appreciate. The band knows how to suck you into their musical world and the time flies by as I watch fascinated. The group closes the night with 'Delicious', where Maynard steps into the light for the first time, thanking the crowd and telling security to step down to let people do whatever with their camera of phone. He walks off stage while hundreds of phones light up in the air for a few shots of the last minute of the show. A show that was dark, a bit distant, but at the same time intriguing and well performed, kind of like the band itself.



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Setlist:
01. Eat the Elephant
02. Disillusioned
03. The Hollow
04. Weak and Powerless
05. So Long, and Thanks for All the Fish
06. Rose
07. Thomas
08. (What's So Funny 'bout) Peace, Love and Understanding
09. Vanishing
10. The Noose
11. 3 Libras (All Main Courses Mix)
12. The Contrarian
13. TalkTalk
14. Hourglass
15. The Doomed
16. Counting Bodies Like Sheep to the Rhythm of the War Drums
17. Judith
18. Dog Eat Dog
19. The Package
20. Delicious


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On Stage: Jack White @ AFAS Live

The last time Jack White visited Amsterdam you weren't allowed to take any pictures but this was hard to control then. At today's show taking pictures is not allowed again and you actually have to lock your phone in a special bag. I decided to leave my phone and camera at home for a night solely dedicated to rock music and off the grid.

Jack White at AFAS Live Amsterdam, July 2 2018

Of course I normally take pictures for this blog, so now I will use the ones provided on Jack White's facebook page. His new LP Boarding House Reach that sees him experimenting with different musical ideas, caused quite a lot of discussion where some people love it and others hate it. I really like the album and when you give it a couple of spins it gets better every time. When White and his band enter the stage they fly right into it with a ferocious 'Over And Over And Over' from that new album.

What follows is a smooth running tight and vicious rock show with an energetic White who looks very focused and totally into it. You can see him smiling many times, obviously enjoying himself and pleased with how the night is going. And he has every reason to be pleased, because his band is playing exceptionally well. A tight grooving and fierce rhythm section combined with two wizards on keys are backing him up together with a lot of samples and sequences. Three large screens are set up to the back showing beautiful visuals. The screens can rotate and have lights attached to the back, which works very well. It is never overwhelming and is totally supporting the music.

White himself is surrounded by several guitars and is smoothly changing them in between songs. This man simply is on fire with mind bending guitar solos and a strong voice. The show never slows down or pauses but keeps on going, only shortly interrupted ahead of the five song encore. It is an overview of his career with plenty of The White Stripes songs including fan favourite 'Hotel Yorba', an acoustic version and more mellow version of 'Fell In Love With A Girl' and plenty of his solo work. In the encore White slowly builds it up to the scorching climax of 'Seven Nation Army'. It was actually wonderful to experience a concert again without phones and cameras in the air, including my own camera and simply enjoy an incredible rock show. Thank you Mr. White!



All Pictures (by David Swanson on website Jack White)

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Setlist:
01. Over and Over and Over
02. Dead Leaves and the Dirty Ground
03. Corporation
04. Lazaretto
05. Hypermisophoniac
06. High Ball Stepper
07. Hotel Yorba
08. Fell in Love With a Girl
09. I Cut Like a Buffalo
10. I Think I Smell a Rat
11. Sixteen Saltines
12. What's Done Is Done
13. Just One Drink
14. That Black Bat Licorice
15. You Don't Know What Love Is (You Just Do As You're Told)
16. Respect Commander
17. Blunderbuss
18. Missing Pieces
19. Connected by Love
Encore
20. I'm Slowly Turning Into You
21. Freedom at 21
22. Ice Station Zebra
23. Steady, as She Goes
24. Seven Nation Army


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On Stage: Nine Inch Nails @ AFAS Live

Trent Reznor's Nine Inch Nails had a bit of a turbulent era. The band disbanded and sold all their equipment, but then Reznor reformed them again. After a few EP's, they suddenly dropped a new album Bad Witch only a couple of days ahead of their long planned show in Amsterdam. It's a short album but we were surely going to hear some new songs.

Nine Inch Nails at AFAS Live Amsterdam, June 27 2018

Indeed three songs of the new LP make it onto the setlist tonight: 'Shit Mirror', 'Ahead of Ourselves' and 'God Break Down The Door' are played back to back. So far the crowd has gone wild and now they can calm down a bit. The songs are so brand new, not many people know it by heart. The album does get very good reviews and the songs fit right in with the others.

You know that with every NIN show you're in for a wild ride. They are known for great light shows and tonight is no exception. Many lights are stacked up in a few piles on stage and their are plenty of strobes and other lights hanging from the roof, setting the stage in bright light regularly. The heavy industrial rock songs are played very tightly and the band goes through them very smoothly.

Reznor is always singing them with his intense style, giving the music an extra layer. The songs themselves sound angry which is quite fitting for the state of the world today. There simply is enough to be angry about and this music has a certain urgency to it. The restless music with that heavy pounding beat is creating a feeling of anxiety, but also at the same time a sense of trying to dance that feeling away.

That's exactly what a lot of people are doing tonight, with a big excited crowd in front of the stage. With a relentless speed the band goes through twenty one songs in only one and a half hour, playing 'Hurt' in the final encore. When the band leaves, we can still hear the guitar feedback while the stage is still lit. NIN left everyone out of breath tonight with a stunning overwhelming rock show.

All Pictures



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Setlist:
01. Branches/Bones
02. Wish
03. Copy of A
04. Less Than
05. Survivalism
06. Shit Mirror
07. Ahead of Ourselves
08. God Break Down the Door
09. Closer
10. The Lovers
11. Find My Way
12. The Day the World Went Away
13. Reptile
14. The Beginning of the End
15. Gave Up
16. The Great Destroyer
17. Came Back Haunted
18. Only
19. The Hand That Feeds
20. Head Like a Hole
Encore
21. Hurt


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On Stage: The War On Drugs @ AFAS Live

Only a few years ago The War On Drugs played smaller venues even though they made a couple of good albums. After the release of Lost In The Dream everything changed for this band and with the new LP A Deeper Understanding they have now made it to the larger venues.

The War On Drugs at AFAS Live Amsterdam, November 2 2017

Even though their music is definitely of a high standard, it’s not the band you would expect to make it big. They don’t have a big stadium sound with songs to sing along to with big spectacular live shows. But tonight it becomes clear they gained a new audience, the one that heard a few songs and decide to go see them play live with a group of friends and have a nice night out.

This crowd is loud tonight and unfortunately not in a good way. Around us several groups of people are chatting all night long, which makes it hard for me to get into the music. When they play a few of their well known songs like 'Under The Pressure' and 'Red Eyes' people turn to see the band and phones go up in the air, even singing along to the guitar riffs (yes, you can do that). When a more quiet song follows that is less known, they get more beers and return to their stories as if we’re in a big bar on a Saturday night where a band is playing in one of the corners. It is a big contrast with the show they played a few years back in Paradiso.

Enough about crowd annoyances and back to the music, which does please me a lot. On the new album the band has explored and deepened their sound even more, without compromising to anyone. This shows tonight as well with a great sounding performance where you can hear all the details. This is very important since it exposes all the layers in their music which is what makes it so good. I like the lazy feeling of songs like 'Pain'. Of course the epic 'Thinking Of A Place' is the centre piece of the show and it gets the performance it deserves with long guitar solos and sparkling play.

The string of lights are a very clever light plan for this show. It is quite subtle but it gives the show enough extras for this large venue. Of course the band sticks to playing the songs where front man Adam Granduciel only steps into the spot light when he’s singing but steps back when he’s done, blending in with the band again. Maybe that’s what draws all these people to this band. They don't have a big rock star vibe going but simply play amazing music. They are just too good for smaller stages.



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Setlist:
01. In Chains
02. Holding On
03. Pain
04. An Ocean in Between the Waves
05. Strangest Thing
06. Nothing to Find
07. Knocked Down
08. In Reverse
09. Red Eyes
10. Thinking of a Place
11. Under the Pressure
12. Clean Living
13. Eyes to the Wind
Encore
14. Burning
15. You Don't Have to Go


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On Stage: The National @ AFAS Live

The last time The National were touring, they shared updates on what equipment broke during their shows. Microphones had to be replaced the most, which shouldn't come as a surprise when you saw singer Matt Berninger handling them. His intense way of singing included dropping mics, kicking the stand and pounding it against his head. These passionate performances together with their lush songs are exactly the reason why I love them so much.

The National at AFAS Live Amsterdam, October 25 2017

The new LP Sleep Well Beast doesn't really show a drastic change of direction, but it does introduce new elements to their music. Especially the arrangements of the songs are more adventurous and gives their sound more variation and depth. Tonight the band kicks off with four tracks of that album in a row and will end up playing almost the whole album, only skipping 'Dark Side Of The Gym'.

It shows the band is confident about their new album and songs and for a good reason, since it is one of their best. It also brings the same variation into their show where dark and slow songs like the gorgeous 'I Need My Girl' and 'This Is The Last Time' are followed by the more playful 'Turtleneck'. The horns sounds so wonderful in the new songs and you have to give a lot of kudos to the Dessner brothers who compose the songs. It is clear they have some very creative and musical minds.

It could be the Dutch weed, referenced by Berninger when he mentions he loves Amsterdam, but the band looks very relaxed on stage, more loose than I have ever seen them. Maybe it's also because by now they don't have to prove anything any more, after a string of very successful albums. It especially makes Berninger a bit less focused as he messes up his lyrics a few times. On the other hand, I really like this relaxed environment, as it makes their show less serious. Maybe it loses a bit of its intensity but I think the variation in the music makes up for that.

Berninger spends even more time in the crowd, filming with someone's phone and travelling quite a bit of distance. In one of the encores he even makes it all the way to the bar. The roadies are working hard to guide the mic cable when he does. He still looks quite uneasy on stage when he's not singing, walking nervously in circles like a caged animal. His vocals aren't always in tune, but this is kind of part of his style, always singing on the edge.



An acoustic almost unplugged and gorgeous 'Vanderlyle Crybaby Geeks' without microphone, where the crowd massively joins in, proves his amazing voice and ends the night. Tonight we saw a different The National, one that is having fun on stage and is enjoying every bit of it. I like that a lot and hope to see them next year again at one of the summer festivals.



All Pictures

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Setlist:
01. Nobody Else Will Be There
02. The System Only Dreams in Total Darkness
03. Walk It Back
04. Guilty Party
05. Sea of Love
06. Bloodbuzz Ohio
07. Born to Beg
08. I'll Still Destroy You
09. I Need My Girl
10. This Is the Last Time
11. Turtleneck
12. Santa Clara
13. Karen
14. Slow Show
15. Conversation 16
16. Carin at the Liquor Store
17. Day I Die
18. Fake Empire
19. Sleep Well Beast
Encore
20. Empire Line
21. Mr. November
22. Terrible Love
23. Vanderlyle Crybaby Geeks


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On Stage: Eddie Vedder @ AFAS Live

Photo by Ben Houdijk

Last Saturday Eddie Vedder started the European leg of his solo tour. It should have been a cheerful event for the Pearl Jam front man, but instead it got very emotional for him. The day before, his close friend Chris Cornell was laid to rest and I'm sure he would have been at the funeral if that would have been possible. Instead he's mourning this loss far away from home and judging from the live reviews it was obvious the singer was grieving. I was wondering how the second night would turn out.

Eddie Vedder at AFAS Live Amsterdam, May 29 2017

Tickets for this tour are really expensive and I passed on them at first. Fortunately I was able to get them a lot cheaper on Ticketswap and was still able to see one of my musical heroes. Vedder is one of my favourite singers and with Chris Cornell gone, another one of my musical heroes, it's good to see him again. We make it early into the venue and find our seat halfway the hall and all the way at the right. Glen Hansard has just started his support show and is doing a wonderful job, Apparently he has throat problems and even went to the hospital today. It doesn't seem to affect his power much and his songs don't miss their impact. We're more than ready for Vedder now.

He opens the night with one of Into The Wild's fine songs 'Tuolumne'. It's a good start of a night that will turn out to be great. Vedder's voice sounds powerful, clear and full of emotion as we're used of him. The intimate and modest stage setup turns the large venue into a camp fire performance where the singer is only playing for a few people.

Photo by Ben Houdijk

The setlist is well chosen with songs that are very suitable for acoustic versions. Of course his Ukulele Songs and the ones from Into The Wild don't need much work for that. Pearl Jam songs like 'Unthought Known' and 'Just Breath' are simply perfect for acoustic arrangements. The nice thing about any Pearl Jam concert is that every night you're treated to a unique set list and Vedder's solo shows are no different. It allows him to make some deep cuts into his vast and still growing catalog, where we can hear 'Man Of The Hour' and 'Thumbing My Way'.

Of course some covers make their way onto the setlist as well like Daniel Johnston's 'Walking The Cow'. The stage crew, dressed in white lab coats reminded a friend of doctors coming for an insane person, according to the singer, where he adds it would probably be him after. He follows the funny anecdote appropriately with part of Pink Floyd's 'Brain Damage'. After about one and a half hour Vedder leaves the stage for a short while before he continues with another Pink Floyd song 'Comfortably Numb' that he messes up with a loud "fuck". It happens a few times more tonight but it doesn't matter. Eddie Vedder is only a mortal like all of us of course, although some may see him as a god.

It is also typical for today's show that seems to be less emotional and more relaxed, where Vedder is reacting to people's shouting and is cracking a few jokes. Glen Hansard and Red Limo String Quartet join Vedder on stage for a few songs, including one of Hansard's own 'Song Of Good Hope'. All of them return for the final encore, a cheerful version of 'Hard Sun'. I'm really glad I got to see Eddie Vedder play after all and hope he will stay with us for many years to come so we can enjoy him with Pearl Jam, as a solo artist and as a musical hero.

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Setlist:
01. Tuolumne
02. Walking the Cow (Daniel Johnston cover)
03. Thumbing My Way (Pearl Jam song)
04. Brain Damage (Pink Floyd cover)
05. Wishlist (Pearl Jam song)
06. Can't Keep (Pearl Jam song)
07. Soon Forget (Pearl Jam song)
08. Light Today
09. Driftin' (Pearl Jam song)
10. Elderly Woman Behind the Counter in a Small Town (Pearl Jam song)
11. Setting Forth
12. Far Behind
13. Guaranteed
14. Rise
15. Man of the Hour (Pearl Jam song)
16. Unthought Known (Pearl Jam song)
17. Parting Ways (Pearl Jam song)
18. Off He Goes (Pearl Jam song)
19. Last Kiss (Wayne Cochran cover)
20. Porch (Pearl Jam song)
Encore:
21. Comfortably Numb (Pink Floyd cover)
22. Heroes (David Bowie cover) (with Red Limo String Quartet)
23. Just Breathe (Pearl Jam song) (with Red Limo String Quartet)
24. Come Back (Pearl Jam song) (with Red Limo String Quartet)
25. Sleepless Nights (The Everly Brothers cover) (with Glen Hansard and Red Limo String Quartet)
26. Society (Jerry Hannan cover) (with Glen Hansard)
27. Song of Good Hope (Glen Hansard cover) (with Glen Hansard)
28. Arc (Pearl Jam song)
Encore 2:
29. Hard Sun (Indio cover) (with Glen Hansard and Red Limo String Quartet)


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