Showing posts with label ought. Show all posts
Showing posts with label ought. Show all posts
Wednesday, 9 May 2018
On Stage: Ought @ Paradiso Tolhuistuin
A few years back Canadian band Ought stunned with an amazing album Sun Coming Down. The clever record also worked very well live as they proved several times. Now they have returned with a very worthy follow up Room Inside The World and also return to the same stage I saw them before.
Ought at Paradiso Tolhuistuin Amsterdam, May 7 2018
I wanted to make sure I didn't miss the support act Lewsberg. This band from Rotterdam has created quite a buzz around them and for a good reason as it turns out. The band clearly channels The Velvet Underground and a little Talking Heads. Singer Arie van Vliet sounds like Lou Reed but looks a bit like David Byrne, although a paler version of him. The band definitely have their sound down, but their indifferent act could work against them when they play longer shows. I think it actually works in their disadvantage since not much is happening on stage and it may get on people's nerves in the end. Still this is a band to keep an eye on.
Ought are at the end of their tour says singer Tim Darcy, although they don't look like they are tired at all. I like how this band is always playing focused, totally into their music. Darcy is an intriguing person to look at, with his thin posture and piercing eyes. His voice may sound a bit weird sometimes but the way he brings his lyrics, in a lazy almost spoken way is very effective.
The band has developed an incredible sound, which changed a little on the last LP. It got a bit less dark and more funky with lovely eighties inspired bass lines. Bassist Ben Stidworthy together with the light jazzy drumming of Tim Keen are a wonderful rhythm section. Matt May finishes everything off with his keys, acting as a glue. It all sounds well balanced and you can hear a lot of detail.
Today the band plays most songs off the new record and kicks off with four fresh ones in a row. New songs like 'Disgraced In America' and 'Disaffectation' sound great live too and everything is played with a certain urgency, with Darcy raising his finger now and then as if he wants to make an even stronger point. Sometimes he will smile a little, almost grinning. Maybe he's laughing a bit because of the reaction of the crowd in front who are singing along to bits of his lyrics. Like every show since Sun Coming Down, the highlight still is the incredible 'Beautiful Blue Sky' that never fails to impress. In the encore the band closes with two songs of their first album More Than Any Other Day. Ought are without a doubt one of the most interesting bands of the moment.
All Pictures
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Setlist:
01. Into the Sea
02. Disgraced in America
03. These 3 Things
04. Desire
05. Men for Miles
06. Habit
07. Beautiful Blue Sky
08. Take Everything
09. Disaffectation
10. Alice
Encore
11. Today, More Than Any Other Day
12. The Weather Song
Read more!
Thursday, 23 February 2017
On Stage: Tim Darcy @ Cinetol, Cosmonauts @ Bitterzoet
Tonight Indiestad created a dilemma for me: go see Tim Darcy in Cinetol or Audacity and Cosmonauts in Bitterzoet. I decided to try both which means I have to go see Tim Darcy first and then rush myself to Bitterzoet afterwards. Unfortunately this means I won't be able to see Audacity who are supporting Cosmonauts and will start too early, which is a real shame since I love that band. Still, two out of three isn't bad for tonight.
Tim Darcy at Cinetol Amsterdam, February 21 2017
A few years ago Ought blew me away the first time I saw them and again after hearing their LP Sun Coming Down that ended up at my end of the year list. Now the group’s singer has released an intriguing solo album Saturday Night which he presents tonight. Darcy asks who came here because of Ought and who came to see him because of his solo project. It's an honest question since many people here tonight haven't heard his solo record yet.
Live the songs sound a lot like on the record except some of the more rocking songs have been tuned down a bit. Together with the two ladies in his band he creates an atmospheric environment for his songs. His pleasant voice floats reminds of Roy Orbison. Although it’s not always in tune, it definitely is fascinating watching him sing. With his head tilted a bit, staring in the distance Darcy is able to keep everyone interested. It may not be as mind blowing as Ought but it sure is fulfilling.
All Pictures
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Cosmonauts at Bitterzoet Amsterdam, February 21 2017
I race my bike through the rain across the city and make it to Bitterzoet in a short while. There Cosmonauts have just started there set. Things get a little more rough here than earlier tonight at Cinetol. These guys have an amazing sound, kind of like a mix of The Stone Roses and Sonic Youth. The way the two guitars blend into each other with a lot of effects is very clever. Alexander Ahmadi and Derek Cowart take turns singing with Cowart doing most of the vocals.
Their set is high on mid tempo psychedelic songs that create a spacy atmosphere. Now and then they pick it up a few notches and knock out a powerful rocker. Their set could have used a few more to keep everyone on their toes. I can see these guys filling larger venues with this overwhelming sound, especially if they can keep up their down to earth appearance.
All Pictures
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Labels:
bitterzoet,
cinetol,
cosmonauts,
live review,
ought,
rock,
tim darcy
Monday, 2 May 2016
On Stage: Ought @ Paradiso Tolhuistuin
Last year Montreal band Ought released a very impressive album Sun Coming Down, that I thought was one of the best albums that year. They played a good show at Into The Great Wide Open last September, that made me long for a club show. Half a year later they are playing the Paradiso venue Tolhuistuin across the IJ water.
Ought at Paradiso Tolhuistuin, April 29 2016
Singer Tim Darcy asks during the show which venue people like more, the legendary Paradiso in the city centre or this one, the Tolhuistuin. They didn't know it was an island he adds, which it is not by the way, although the shortest way for many is a few minutes by ferry. It's one of the scarce moments Darcy is actually trying to have a conversation with the audience. For the rest he restricts himself to some quick thank yous when it comes to audience interaction. That is actually a good thing, because tonight it enables Ought to put up an impressive and intense show that keeps building up tension.
And that is exactly what their music needs to actually make an impact. The dark riffs are hammered into your head tonight and all the words in Darcy's nasal vocals hit us with great force. The first album already had some great stuff, like title track 'Today, More Than Any Other Day', that is spot on today. But their latest album 'Sun Coming Down' simply has so many of those songs like 'Men For Miles' with that repetitive chorus singing "There were men for miles/There were men for miles/And doesn't it just bring a tear to your eye". It is repeated so many times and builds up more tension every repetition, until it sounds like an abstract mantra.
That's where the strength of Ought lies, the words and music combined are shaping a structure until the band decides to either leave it or crush it with a bang. Like on the album 'Beautiful Blue Sky' is the centre piece, the monument where it all comes together. Darcy is raising his finger now and then as if he's trying to make a point, where he isn't really but it works very well. Sometimes they want to make the crowd uncomfortable in a song, where the music kind of itches and gets under your skin. Drummer Tim Keen doesn´t always play straightforward rock grooves, but instead is very creative in his drumming, which adds an extra dimension.
Tonight all these elements work very well where the band looks focused and in great shape. It's great to see when things all come together they can take their music to the next level and it really gets to you. I can't wait to hear new music by these guys.
All Pictures
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Setlist:
01. Sun's Coming Down
02. The Combo
03. Passionate Turn
04. Men for Miles
05. Beautiful Blue Sky
06. Pleasant Heart
07. On the Line
08. Habit
09. Never Better
Encore:
10. Today, More Than Any Other Day
11. Pill
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Wednesday, 30 December 2015
Top 10 Albums 2015
Yes, it's that time on the year again where people like to look back and make a best-of-list. 2015 was another great year where I saw many great concerts, heard wonderful music and discovered some new bands on the go. So for what it's worth, here's my top 10 album list. Have a great new year's and let's make 2016 at least as good.
1. D’Angelo - Black Messiah
Play in Spotify
2. Tame Impala - Currents
Play in Spotify
3. Protomartyr - The Agent Intellect
Play in Spotify
4. Unknown Mortal Orchestra - Multi-Love
Play in Spotify
5. Daniel Norgren - Alabursy
Play in Spotify
6. The Icarus Line - All Things Under Heaven
Play in Spotify
7. Ought - Sun Coming Down
Play in Spotify
8. Wolf Alice - My Love Is Cool
Play in Spotify
9. Blur - The Magic Whip
Play in Spotify
10. John Coffey - The Great News
Play in Spotify
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Labels:
blur,
d'angelo,
daniel norgren,
John Coffey,
ought,
protomartyr,
tame impala,
the icarus line,
unknown mortal orchestra,
wolf alice
Monday, 12 October 2015
Spinning: Ought - Sun Coming Down
Three Americans and and Australian that meet in Montreal Canada and start making music, that is the story of Ought in short. In the lively artist scene over there, it was possible to experiment as much as they could. This already resulted in the first record More Than Any Other Day with intense and impressive songs. The follow up Sun Coming Down was highly anticipated with great expectations and has been streaming on SoundCloud for a while now.
On that LP there are eight brilliant songs, that once again leave an impression. The quartet builds on top of the first album, but plays the tracks even more convincingly and with more finesse. The music is even more spot on and gains sharpness and intensity because of that. The nervous, threatening atmosphere is still there, better yet it only got stronger. Singer Tim Darcy's nasal voice is talk-singing his often endless repeating lyrics, stringing together the words in high speed. Together with the repetitive grooves they turn into a kind of mantra, that is being hammered into your head bit by bit.
It is striking how creative the band is doing this, with wonderful drum parts and guitars that sometimes are screaming and shredding and other times play lovely ringing tunes, and well timed tempo and rhythm changes that add extra tension to a song. You can hear beautiful drum fills and nice guitar melodies in the melancholic 'Passionate Turn', where the band is going full force in 'The Combo' with a very stormy beginning. In the end all builds up to the epic 'Beautiful Blue Sky' halfway, which is also the first single. The song brings Television to mind, like other songs, and it's where the band brings it all together. "War plane, condo, oil freighter, new development", Darcy sings, after which he endlessly seems to repeat "I feel alright", followed by "I am no longer afraid to die, 'cause that is all that I have left, yes".
It characterizes the atmosphere of the songs, where they look at the world, the daily grind many of us are in and the cold heartless side of technological progress we became so dependent upon. It is more of an observation than a depressing conclusion, where the uneasy feeling it raises, perfectly finds its way into the music. It turns Sun Coming Down into one of the most intriguing records of the year and one you really should give a spin. Together with convincing shows on Lowlands and Into The Great Wide Open, Ought is a band to watch since things could move quickly for them.
This review has been published on Festivalinfo in Dutch over here.
Listen to 'Sun Coming Down' on Spotify.
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Friday, 11 September 2015
New Sounds: Ought - Sun Coming Down
Last weekend I was impressed by Ought's performance at the Into The Great Wide Open festival. Their creative songs sound sharp and original with a dark atmosphere. Now you can listen to their upcoming album Sun Coming Down below which comes out September 18.
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Thursday, 10 September 2015
ITGWO 2015 Saturday and Sunday
After that incredible Friday I doubt if we can top that in the two days still to come but we sure are going to try. It's a bit hard to wake up early so unfortunately we have to miss the first couple of bands.
Into The Great Wide Open 2015, Saturday September 5 2015
Ryley Walker
We decide to kick off our day at the lovely stage in the woods where Ryley Walker is about to start his set. He starts out on his own with a nice acoustic song. I'm a bit worried this will be "just another singer songwriter" but fortunately the rest of the band joins in and a wonderful performance follows. The mellow songs have enough meat to chew on and keep you focused. Walker turns out to be a funny character that has no trouble entertaining his audience. This is one of those shows where place, artist and crowd totally connect together and magic happens.
Official Website | SoundCloud | Twitter | Facebook | YouTube | Spotify
Gabriel Rios
After this amazing start we head to the sports field to see a new side of Gabriel Rios. Where he used to lay down a mellow tropical party he is now showing his sensitive side with small intimate songs. A cello, horns and a double bass are helping him out. It's an admirable choice to go this way, but his performance is a bit pale.
Official Website | SoundCloud | Twitter | Facebook | YouTube | Spotify
Alamo Race Track
Then we need to hurry again to cycle to the dunes and catch Alamo Race Track. Their alternative rock songs should be at the right place here and it has filled up nicely. The sun is even shining now and then, which is a delight after yesterday's rain. Alamo Race Track has so many beautiful songs to choose from, but live it doesn't always work out. The band is a bit unpredictable that can play amazing shows but sometimes it's just not their day. Today the music sounds nice but the band doesn't really connect with the audience so the spark is kind of missing. Still it's always good seeing them play their atmospheric songs live.
Official Website | MySpace | Twitter | Facebook | Spotify
Leon Bridges
Aaaaand it's back to the sports field since soul singer Leon Bridges is playing there. His star rose like a comet this year, as over half a year ago no one knew who he was. Now he has drawn quite a big crowd to watch him sing his retro soul songs. Joined by two members of White Denim, his band sounds great and his smooth voice goes down well with many. But his stage presence is a bit too modest so it never gets really wild. Hopefully in the future he can bring more to the stage and then things will look pretty good for him.
Official Website | SoundCloud | Twitter | Facebook | YouTube | Spotify
Polar Bear
We go into the woods to see some jazz, played by Polar Bear. Two saxophone players are playing sharp and shrill solos on top of mellow groovy jams. It does sound like an exciting experimental jazz concept, but somehow it's never really taking off. The songs are too stretched out to make them hold the tension and although well played it's hard to keep focused. Also the band looks a bit pale and uninspired as well, maybe too impressed with their surrounding.
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Seun Kuti & Egypt 80
Because of cancellations Seun Kuti & Egypt 80 were found as replacements and according to the MC were flown in from Lagos, through Casablanca and brought in by water taxi. That's why they start out later than planned and I have to skip some other bands, but I'm nuts for afrobeat and Seun Kuti is a treat you cannot pass on. This is a great band to have on this festival and the band look happy enough to play here. I simply love the long jams with the horns and the many layers that seem to lead a life of their own, but still blend in so nicely. Seun Kuti is a delight to watch, and like his father is a charismatic front man who is all over the place with spectacular dance moves. He may not be the greatest sax player, but makes up for it in energy. I have seen them play better though where they can truly light up a place. Maybe it's the big trip they had to take today, or the relative short set they are playing, who knows. Still I love it and can only have huge respect for them to go through all this trouble to play at this festival.
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Taxiwars
When Tom Barman is not playing with dEUS, he's not sitting at home. He may be making a movie, or play with Magnus. Or in this case find himself playing in the jazz combo Taxiwars, a project by sax player Robin Verheyen. The result is an exciting mix of jazz and grooves with the typical, sometimes spoken word, vocals of Barman. It turns the woods into a dark smoky jazz night club from the fifties or sixties where private eyes zip their whisky. The band looks like they are enjoying it a lot and the crowd feels this energy. Again this is the perfect place for such a performance.
Official Website | Twitter | Facebook | YouTube | Spotify
zZz
One thing is for sure today, that we will be ending on a high. zZz are turning indoor stage The Bolder into a sleaze fest with their out of control organs, never ending grooves and mysterious lyrics. You can only dance to this dirty gritty hypnotic music and that's what everyone is doing. People are crowd surfing and partying and things get nice and sweaty, the way this musics suits the best. Oh man, that track 'Juggernaut' is so good, I want it to keep going forever.
Official Website | Twitter | Facebook | Spotify
We stay around to dance and drink some more until the night program comes to an end. And so does this day that turned out to be wonderful again.
More Saturday Pictures
Into The Great Wide Open 2015, Sunday September 6 2015
It's a cliché indeed but time goes so fast when you're having fun. It's already the last day of the festival and it's impossible to wake up on time to see the first bands. It's gonna be a shorter day but let's go out with a bang!
All We Are
We find ourselves at the dunes stage to dance a bit with All We Are. It's quite contagious what they play, some kind of indie rock with a dance edge. The sound is really loud though and it robs the music of any subtleties if there are any. The pounding bass does make you want to dance and the falsetto vocals bring the Bee Gees to mind. However it is as if the band can't choose between danceable disco or head nodding rock. For disco it's not subtle enough, since the sound is too blunt, and for rock it may be too light. But for now it will do just fine.
Official Website | SoundCloud | Twitter | Facebook | YouTube | Spotify
Ought
We stick around and help ourselves to some delicious razor clams before Ought take the stage. The band are in a good mood and especially drummer Tim Keen is smiling throughout the set. It's a weird contrast between the sunny weather at this moment and the dark moody music. But the songs are sharp and singer Tim Darcy's, sometimes spoken, word vocals sound interesting. The creative drum parts are giving the songs a different edge, turning them into original compositions. The band looks to be in the moment and the crowd is picking up on this. This band will probably work even better in a dark club but this performance was already pretty good. I'm looking forward to their new album Sun Coming Down that comes out later this month.
Official Website | Twitter | Facebook | Spotify
The Undertones
We leave the stage in the dunes and make our way to the main stage where a punk rock party has already started. Punk veterans The Undertones are having a fun afternoon with everyone and their jumpy punk songs. The songs and the band may have lost their sharp edge and their original singer, but still know how to please a crowd including all the kids. Singer Paul McLoone is all over the stage and the band totally connects, bringing lots of energy. I don't know who's having more fun, the band or the audience. 'Here Comes The Summer' may not be entirely true but The Undertones bring the summer back for a short period.
Official Website | Facebook | YouTube | Spotify
TORRES
For the final show of the festival we head into the woods one last time, where TORRES is playing, the musical pseudonym of Mackenzie Scott. Her dark moody songs with touches of grunge remind of PJ Harvey and St. Vincent and this place should be ideal for her. It does work today to some extend, but it looks as if Scott is holding back a bit. Her honest songs are strong enough though and her voice is convincing. All in all she leaves a good impression and this is a fitting final show at this stage.
Official Website | SoundCloud | Twitter | Facebook | YouTube | Spotify
Then it's time for the final blow when Afterpartees are the ones to really close it down. Of course they are the perfect after party band, not just because of their name, but also because they have "party" written all over them. The boys turn the place upside down one more time with some guest musicians and lots of energy and sweat. Since they only have released one record yet, the set list includes many covers that fit in perfectly. Everyone is partying hard for the last time, proving that this festival doesn't just dwell upon nice weather, but due to a very strong program, a wonderful environment, a combination of atmosphere and good food, and a group of like-minded people can always grow into a wonderful experience. This edition was no less than the previous ones, despite the weather, so hopefully we will manage to get tickets again for next year.
More Sunday Pictures
Into The Great Wide Open 2015 Thursday and Friday
Read more!
Labels:
afterpartees,
Alamo Race Track,
all we are,
egypt 80,
festivals,
gabriel rios,
into the great wide open,
leon bridges,
live review,
ought,
polar bear,
ryley walker,
seun kuti,
taxiwars,
the undertones,
torres,
zzz
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